Youth in Action: The Student
Movement
A Review of The Sixties: Years
of Hope, Days of Rage by Todd Gitlin 
 
Author Biography
Todd Gitlin, once president of Students
for a Democratic Society, was essential in the student 
movement of the 1960s. Gitlin attended Harvard University,
the University of Michigan and the University of California, 
Berkley. He has written numerous nonfiction books including
Busy Being Born and The Fight is for Democracy: 
Winning the War of Ideas in America and the World. He
currently teaches journalism and sociology at Columbia 
University. 
 
 
The sixties was a very eventful time. A generation gap
between the young and old developed. Youth culture was full of 
existentialism, apathy and rock ’n’ roll. Young people
didn’t share their parents’ interests. Instead of caring about 
news and current events they read magazines devoted to humor
and entertainment— a poll “found Mad a close second to Life 
as the most widely read magazine” for teenagers.1
The Sixties: Years of Hope, Days of Rage covers the youth 
movement towards dissidence, the formation of activist
groups most notably Students for a Democratic Society, the 
Vietnam War and the rise of anti-Vietnam war attitude, and
the Civil Rights Movement. The New Left movement identified 
strongly with the counterculture movement until the mid
sixties when radicals deemed liberals inferior. The youth 
movement was draped in counterculture, especially in the
rock ’n’ roll movement of Bob Dylan, the Rolling Stones, and 
other artists. Young people everywhere smoked pot and took
LSD with little prudence. Sex did not infiltrate youth 
culture as deeply as it infiltrated other movements. People
looked at sex the same way they looked at drugs—for a chance 
to increase their levels of existence as well as a chance to
bond with their fellow human beings. The counterculture of 
the sixties fought back—it rejected the conformist fifties
and paved the way for the radical seventies. America evolved 
in only a decade.
 
Todd Gitlin argues that the fifties contained the roots of
the sixties. Remnants of the fifties lay in sixties culture. 
Red diaper babies, children of communists, often carried on
communist or socialist feelings. Red diaper babies attracted 
young activists, yearning for a chance to rebel. Though
these remaining communists never made a big difference 
politically, some of their ideas made it into the philosophy
of the New Left. Without witch-hunts and massive 
conformity, life seemed better; “the boom was on and the
cornucopia seemed all the more impressive because the miseries 
of Depression and war” were long gone.2 Science
boomed, industry boomed, and the birth rate boomed. This 
prosperity led to the creation of suburbs and the conformity
movements of suburbia. Ultimately, this conformity affected 
the sixties by inspiring people to rebel. Culture, youth
culture especially, evolved with rebellion in mind. People 
broke taboos. Rock ’n’ roll music, satire, and art with
sexual content pervaded both the mainstream and the
underground. 
Movies such as Rebel Without a Cause and stars like James
Dean epitomized the rebellious attitude of the sixties. Young 
people wanted to rebel simply because they could. This youth
culture infiltrated politics. The New Left, full of youth 
and fresh ideas, took the place of the subsiding Old Left.
However, this group did not become strong until well into the 
decade. One particularly memorable example of youth culture
was the beat movement. Beatniks looked to transcendentalists 
for a lifestyle. They believed people could transcend normal
human experience through sex and drugs. 
 
The sixties marked a change in campus opinion— a shift to
civil rights activism. The Youth Council of the National 
Association for the Advancement of Colored People (NAACP)
organized sit-ins. During sit-ins and “the anti-House of 
Un-American Activates Committee (HUAC) demonstrations, the
fifties expired,”3 and the sixties was born.3 The 
New Left made its mark with single-issue campaigns such as
civil rights and civil liberties. The anti-war sentiment 
manifested itself in the creation of SANE, an anti-atomic
weapons group while the Bay of Pigs incident pushed the New 
Left away from John F. Kennedy. As Kennedy’s commitment to
military power in the third world continued, the New Left 
grew more and more dissatisfied with him. College students
formed Students for a Democratic Society (SDS) as a subgroup 
of the League for Industrial Democracy (LID). The SDS
composed The Port Huron Statement (PHS) in which they explained 
that people should have a voice in government and should
play a larger role in the outcome of their lives. The PHS gave 
the New Left a new start; it separated them from the Old
Left and the older generation and further solidified the strong 
moral, intellectual, political, and sexual bonds SDS members
felt. Gitlin examines the complicated relationship between 
liberals and radicals as the SNCC and SDS began an alliance.
In 1963, when Kennedy continued his move into the third 
world, the SDS wrote America and the New Era, protesting
Kennedy’s policies of corporate economics. Kennedy’s almost 
nonexistent race policy sent SDS up in arms. When Kennedy
finally nudged the FBI into investigating crimes further, the 
FBI pursued activists as vehemently as it went after
criminals. This caused mass protests that had little effect.
Many 
radical movements broke down into specific groups like
feminists, hippies and black nationalists. SDS’s strong 
anti-imperialist sentiments caused some people to associate
them with radicalism and communism, but few Americans took 
note.  However, despite mass ignorance, youth culture now
had its own movement. 
 
The song “Eve of Destruction” fit the apocalyptic mood
perfectly. People finally noticed youth as a political
movement. 
This idea, along with the ideas of dissatisfaction, as seen
in “I can’t get no Satisfaction,” and cohesive love, defined 
the youth movement. For the first time, pop music focused on
politics and drugs rather than focusing on love. The Human 
Be-In, an event filled with music and drugs, permanently
associated hippie culture with Haight-Ashbury. The 1967 summer 
of love gave young people ideas of sex, drugs, and rock ’n’
roll. The Diggers, a group of radical existentialists, 
considered themselves the authorities of the hippie
movement. Full of flash and attention grabbing techniques, the 
Diggers brought attention to the fact that “the New Left was
square and hypocritical–middle class kids comforting 
themselves.”4 The New Left was most active in
opposition to the draft; they declared the week of October 16 
‘Stop the Draft Week’ and shut down part of Oakland. After
the death of revolutionary Che Guevara, the New Left moved 
from protest to resistance. Demonstrators actively provoked
police after police began beating picketers regularly; the 
first brutal confrontation was dubbed “Bloody Tuesday.”
Though fighting back gave activist causes a sense of romance, 
many remained skeptical about power, doubting that America
would accept radical change. Many activists traveled the 
globe, visiting countries in the midst of revolution, such
as Cuba and Vietnam, in an attempt to understand the global 
community. All this resistance brought the movements to a
breaking point.
 
The resistance that declared itself in Oakland continued in
a mass anti-war movement including marches, strikes, 
petitions, and sit-ins. Small actions provoked mass
retribution and bloodshed. Draft resistance remained “the
hub for 
support” for protestors in the New Left.5 In
January 1968, the Tet offensive began. Not only did the 
offensive cross moral boundaries and cost lives, it was
incredibly ineffective. This hurt the case for war because “in 
American politics there is no more drastic criticism to be
made of a policy, whatever its moral dubiousness, than that 
it proved conspicuously ineffective.”6 Tet gave
liberals hope that America would soon pull out of Vietnam. 
Counterculture and the New Left met at the Chicago
Democratic Convention. Chicago was an explosion; police beat 
protestors, bystanders, and reporters. The protesting didn’t
make a huge difference in the political spectrum, but it 
represented a liberal victory. People believed that
liberalism could succeed. As “the Revolution” began, the
women’s 
movement broke with the New Left because women in SDS faced
discrimination. Though they could join easily, they had no 
power. The Revolution made little progress in the anti-war
movement. After all, the war continued until 1972 while the 
student movement faded because of excessive factionalism.
Their last hurrah was the post-Cambodia uprising. Though the 
movement died out, counterculture shaped the sixties with
rock music and civil rights activism.
 
In writing about the sixties, Todd Gitlin revisits his
youth. As a prominent member of Students for a Democratic 
Society, he not only observed history, he changed it. Gitlin
examines all of the sixties in his book, but he focuses on 
the student movement. Gitlin’s thesis is that though the
student movement rose and fell within a decade, it positively 
affected American politics and culture. He respects the
student movement’s ideals; they stayed strong despite lack of 
success. Though activists were “committed to an impossible
revolution” they remained united and perseverant for many 
years.7 Because he was a part of the student
movement, Gitlin focuses on the students’ side of the
battle. He 
never mentions the difficulties the government or private
citizens faced because of radical action. Giltin included the 
celebrated ideas of individuality and community in The
Sixties: Years of Hope, Days of Rage. Like many members of the 
New Left, Gitlin glorifies terrorism and radical action in
the name of bettering society, both in the violent protests 
of the student movement and the guerilla warfare of
countries in revolution. Gitlin focuses on issues and events
that 
most affected the student movement. However, he is never one
sided. Gitlin includes events that show both the angelic 
and ugly side of radical movements. Activists never seem
devilish and Gitlin never lapses into criticism of movements. 
Gitlin published The Sixties: Years of Hope, Days of Rage in
1987. He waited until his youth faded and his radical 
impulses lessened. With time comes wisdom in the form of
perspective. Gitlin puts a large emphasis on the idea that the 
fifties inspired the early sixties. He waited over a decade
before he examined the sixties to see how the decade 
affected the seventies. Writing in the eighties gave Gitlin
the freedom to write honestly; people no longer clutch 
intensely to the events that transpired. A negative
portrayal will offend no one. Gitlin takes advantage of time
and 
experience to describe an era.
 
Charles Hunt critiques The Sixties: Years of Hope, Days of
Rage in a 1989 review. Hunt compares Gitlin’s book with James 
Miller’s book on the sixties. Both Gitlin and Miller fill
their books with personal anecdotes and the ideals of 
participatory democracy. Hunt believes that Gitlin adeptly
identifies the contradictions in the student movement of the 
1960s. The New Left “denied or refused to recognize
history”8 and this “cost the student movement in the 
sixties dearly.”9 The Sixties: Years of Hope,
Days of Rage helps remedy this situation by providing people 
with an intelligent analysis of the sixties that can “serve
the next generation of radical movements.”10 Hunt 
objects to Gitlin’s idealization of the student movement and
his often pessimistic, social democratic perspective. A 
review in Publishers Weekly glorifies the book. It argues
that “nobody is better equipped to write a definitive history” 
than Gitlin. Since Gitlin was active in the sixties he was
able to write with an insider’s view.11 The review 
argues that the book is detailed and logical, perfectly
defining the decade.
 
The Sixties: Years of Hope, Days of Rage is full of highly
condensed facts. The book contains the key details of the 
sixties. Gitlin frequently loses focus and spreads himself
too thin by covering so many facets. He jumps around from 
movement to movement and radical group to radical group
without much depth. Gitlin uses his personal experience to gain 
perspective on the sixties. He focuses on the student
movement because he knows it well, but displays a clear bias 
towards radicals. Gitlin confesses his prejudice, he “had
believed in the movement itself.”12 Bias shows in 
the nostalgic tone of the book. Gitlin clearly believes that
the student movement could have and should have done more. 
He regrets its quick defeat and longs for more radicalism.
 
The sixties marked a watershed in history. Gitlin believes
that the counterculture of the sixties changed American 
culture forever. The music of the sixties held out in
history; “rock culture convulsed with the rest of the youth 
movement.”13 Though long hair and frequent pot
abuse subsided, mainstream music never lost its rock ’n’ roll 
roots. Even now, teens flock to concerts and record stores
just to get a sample of their favorite rock artist. Many put 
more value on community than on family. People went from
conforming to showing the world that they were 
different—individualism ran high. Instead of staying in
their microcosms, people thought globally. American imperialism 
forced people to open their eyes; they saw “capitalism,
fundamentalism, nationalism, starvation and torture” all over 
the world.14 In the past, international
relationships led to domestic turmoil and the tapping of
American 
money, troops, and resources. This continued in the sixties
with the Vietnam War and continues today with the war in 
Iraq. However, people are now more aware of America’s role
in the rest of the world. America aims to help other 
countries even though its interference does not always yield
positive results.
 
Much about the sixties changed America. In the sixties,
change occurred because of different “movements’ divine 
delirium.”15 People learned to ignore the reality
of what was, and to push for their hopes of what could be. 
This idea of hope inspired activist movements of the
seventies, eighties and nineties. Civil rights movements made a 
permanent impact on society. People were treated with more
equality than ever. The New Left movement inspired modern 
democrats in their idealistic idea of participatory
democracy. Despite radicals’ unscrupulous behavior, America
remained 
a moral country governed by moral laws. People put slightly
less emphasis on family than previously, but most people 
still valued loved ones more than liberty. The biggest
change of the sixties was the increase in freedom. Activists 
could protest without fearing for their lives and people
could express themselves without massive retribution. This 
added to the individualism of the era. Today, anyone can
dress, talk, or think any way they desire. Without the sixties, 
this would have been impossible. The sixties gave people
more freedom in their lifestyles and attitudes. The age of fear 
was over. Freedom was here to stay.
 
Americans look back at the sixties with a mix of regret,
nostalgia, and hope. Americans’ “sense of divine wore thin.”16 
People woke up and saw the world as it was. The student
movement, the civil rights movement, and the women’s movement 
permanently affected American policy. Culture changed from
conservative dress and big band music to long hair and heavy 
guitar riffs. Young people rebelled for no reason at all.
All they knew was that the world was wrong; it needed to 
change. They didn’t know how, why, or when, but they knew
change was necessary. America forever upheld this principle of 
attempting to perfect the world.
 
 
review by Crystal Kaba 
 
 
 
 
- Gitlin, Todd. The Sixties: Years of Hope, Days of
Rage. United States: Bantam Books, 1986, 35.
 - Gitlin, Todd 13.
 - Gitlin, Todd 83.
 - Gitlin, Todd 225.
 - Gitlin, Todd 292.
 - Gitlin, Todd 299.
 - Gitlin, Todd 326.
 - Hunt, Charles. “The Sixties: Years of Hope, Days of Rage
Book Review.” Monthly Review 1989: 2.
 - Hunt, Charles 2.
 - Hunt, Charles 2.
 - Publishers Weekly 1997: 1.
 - Gitlin, Todd 397.
 - Gitlin, Todd 429.
 - Gitlin, Todd 437.
 - Gitlin, Todd 435.
 - Gitlin, Todd 436.
  
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